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As
a child, Alan loved to draw and make models. Today, he spends all
day drawing-and getting paid for it. When this senior architect
at a prestigious Boston-area firm picks up his colored pencil to
begin sketching ideas for a new building, he is at the start of
a multiyear process that will result in the construction of a brand
new space. Tim and David, architects with a comparable firm in Seattle,
add that architects share the urge to create something that has
an effect on people around them.
Creating
spaces for butterflies
What if you could recreate a rainforest, indoors? For the past
eight years, Alan has been working on a glass building for a Midwestern
botanical garden that will house a simulated Costa Rican rainforest,
complete with butterflies. This project's complexity and creative
challenge have made it one of his favorites.
The
Seattle firm is working on a project with internationally acclaimed
architect Frank Gehry to build an interactive series of exhibits
for the Experience Music Project in a big-budget job funded by Microsoft
CEO Paul Allen. The outside of the building is an amorphous multicolored
skin, and visitors can pick up an instrument and jam.
Tim
also worked on a multiuse theater in Memphis that houses opera,
symphony, and other cultural activities. "It was gratifying
to create a backdrop against which other artists could explore their
own creative adventures," he says.
Seeing
what isn't there
Good architects have an eye for envisioning how a new structure
will blend with the existing environment-in effect, for seeing what
isn't there. When he begins a new project, Alan usually visits the
building site to understand the setting and the style of nearby
buildings. He works from site drawings and photographs as he conceptualizes
the design.
Concept
to code
Every day in the life of an architect is unique, covering thousands
of details from the big idea all the way down to the details of
local building codes. The variety is overwhelming - writing, drawing,
meeting people, being out on a site, watching them pour the concrete,
even dealing with a group of people about a light fixture. "Even
in a multiyear project, time goes by too fast sometimes," says
David. "At every stage you encounter a different challenge."
Going
back to the drawing board
Architects derive tremendous satisfaction from seeing their
designs take concrete form. "I don't have any children,"
says David, "so I always imagine it's like when a child has
just grown up and graduated into the real world. You've lost sleep
over it, fought all the battles, and now it's there in reality."
It's also gratifying when the building begins to stand the test
of time. "Someone will come up to you and tell you they noticed
one day the way a sliver of light fell in a corridor. That feels
great," says David. But by that time, the architect has gone
back to the drawing board - on another project.
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Elaine Gottlieb, Salary.com Contributor
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